With many years as a recording engineer and producer George knows the good from the bad. In many cases it's a matter of taste, some prefer one EQ over another but George writes unbiased and objective reviews of the equipment tested to help you discover new or interesting gear.
Surely the audio industry’s most copied product, in hardware and latterly in software, is the Pultec EQP-1A Program Equalizer. Developed at the beginning of the 1950s in New Jersey, the
Read full reviewIn the area of studio outboard, there is always room for a new twist on an old idea, and Scottish company CLM have popped up, seemingly from nowhere, with this
Read full reviewI suspect that many readers outside the US have never heard of Geoffrey Daking. I hadn't. The man himself is a studio owner and 'audio tinkerer'. His units have been
Read full reviewIn the high-end 'voice channel' market, one can easily forget that Drawmer were an early entrant with the Vacuum Tube 1960. They now enter the crowded budget end of this
Read full reviewGyraf are a Danish company who have been quietly making valve-based outboard equipment for over 15 years; it is five years since Resolution last looked at any of their products.
Read full reviewA brief history lesson: The late Dick Swettenham was a maintenance engineer at Olympic Studios in its late 1960's heyday. In the early 1970's he built a rather wonderful desk
Read full reviewThe Vac Rac was originally reviewed by Dave Foister in the March 1996 edition of Studio Sound. This revisit is to evaluate the new EQ module, but first, a quick
Read full reviewI have long been a fan of Joe Meek's productions. I even went to a Joe Meek Appreciation Society event a few months back. But until recently I had not
Read full reviewManley have established a mighty reputation for their no-compromise outboard equipment. The attention to detail is astonishing, the manuals informative and entertaining, and the sound quality undeniably superb. So why
Read full reviewThis is a product that now seems obvious, and although there have been board room and financial shenanigans, one might wonder why it has taken Neve so long to produce
Read full reviewThe 8803 crams two channels of EQ into a single rackspace, so by definition the controls are fiddly compared to vintage Neves, but miniaturisation is ever-popular; even Rupert himself now
Read full reviewPhoenix Audio’s DRS-2 and DRS-1 microphone and instrument preamplifiers have been delighting audio professionals for a number of years, and I have been a regular user since reviewing the DRS-2
Read full reviewGeorge Shilling walks through another doorway to find out whether this EQ provides the entrance for classic Neve sounds... The pro-audio industry is littered with remnants of Mr Rupert Neve’s
Read full reviewIt never ceases to amaze me that many items are sent for review that are either faulty, or fail to include the (often vital) manual. If it happens to me,
Read full reviewThe Tube Vitalizer looks impressive, with a nod towards vintage valve equipment. It is a 2U steel box, with a bare metal front panel. There are plenty of black knobs,
Read full reviewSSL seems an increasingly go-ahead and dynamic company, especially since the last change of ownership. The AWS900 moved SSL on from being the lumbering giant of stratospherically-priced giant consoles, but
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